1, Title
2, Intro MW (?)
3, Theme JB
4, Exhibition Text JB (as main Theme writer) RS (typography) SS (as poster designer)
5, Location MW
6, Model AW
7, Floor Plan AW
8, Exhibition Choices SS BH
9, Images DZ (+ all)
10, Advertising/Audience SS
11, Budget AW
12, Self evaluation/any questions
Presentation Group E Commission updated
In order to use the back lit lighting technique i require for my images my printing preference would be;
DISPLAY TRANSPARENCIES (DURATRANS / FUJITRANS)
Superb quality large format display
transparencies, often called "duratrans", have a translucent-base
suitable for back-lighting in light boxes. Available from both film and
digital images. Printed on our Lightjet 5000 which produces display transparencies
of superb clarity, colour saturation, good blacks and high definition.
|
DISPLAY
TRANS
|
16x12
|
20x16
|
20x24
|
30x20
|
36x24
|
40x30
|
48x36
|
60x40
|
72x48
|
96x48
|
1
off
|
48.00
|
51.00
|
77.00
|
85.00
|
91.00
|
117.00
|
143.00
|
170.00
|
222.00
|
314.00
|
3
off
|
35.00
|
37.00
|
53.00
|
67.00
|
78.00
|
105.00
|
130.00
|
150.00
|
195.00
|
258.00
|
5
off
|
25.00
|
31.00
|
42.00
|
64.00
|
65.00
|
91.00
|
105.00
|
130.00
|
169.00
|
242.00
|
Quantity prices are for prints from the same image.
Prices include VAT Our back-lit display transparencies are printed on Fujitrans material, Fuji's equivalent to duratrans, ideal for use in shop display light boxes. |
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Also I have created a H&S Risk Assesment for the projectTeam E Commission Risk Assessment
Fort Amhurst
My Artist statement to accompany my work;
The Silent Witnesses of War
An Exhibition by Martin Wilby
A series of images showing abandoned WWII bunkers in the
countryside. These structures slowly merge into the environment, yet they still
remain as a reminder of the waste and loss created by War. They are also a
national cultural and historical part of our heritage that is decaying and
overlooked.
A field trip to the Grain area lead me to recall my
childhood experiences of WWII bunkers in the area, and I soon decided upon them
as the subject matter for my project.
The starting point for this project was a close examination
of the brief, and the key words “produced in the local Medway area” I initially
started to physically search the local area and the internet simultaneously for
background information, not wanting to firm up an idea until I understood the
area more. This led to some research on local military waste as an area of
interest, we were then paired up randomly with a fellow student and I got Edvardas
Poska who was tasked by me to look at “military detritus and abandoned forts
and facilities”. As my research partner Edwardius research was outstanding and
pointed me in the direction of the work of Paul Virilio, English
photography Jonathan Andrew and Erasmus Schroter. I was also advised to look at
Jane and Louise Wilsons ‘Sealender’, and Tacita Deans ‘Sound Mirrors’.
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