During the presentation a number of photographers were introduced to us by their work where they have all used a fill in flash outside of the studio. Those photographers included:
Dominik Gigler
Adam Amamamengual http://www.adamamengual.com/
Philip-Lorca-Dicorsia (again)
Jooney Woodward http://www.jooneywoodward.co.uk/
Kate Peters (Ridley road project)
Kiran Master http://www.kiranmaster.com/
Sage Sohier http://sagesohier.com/
Larry Sultan (His west coast porn critique)
Charles Freger
Today's group (working in groups of three) tasks consisted of the following;
- Take an image using the Metz using available light using the 'Fill in' flash technique
- Using manual settings on the Metz create images using two different fill ratios 2:1 and 3:1
- Use the bounced or diffused technique (using half spun or Neutral density gel)
- Use auto setting
Metz on mount |
Metz controls (green for auto, red for manual) |
John and Ian with the Metz CL45 |
John |
Mamiya RZ67 |
JS digital shots demonstrating technique. Flash power increased from left to right until correct, then shutter speed increased to reduce brightness of background |
Everyones contact sheets |
Ian Turners (Myself and John in the shots) |
Basics:
Take initial light meter reading of ambient light, then using rocker on the light meter (LM) select an aperture for image (to create your desired effect).
Then set film speed on dial (tape in place!). Put Metz to manual setting using the ribbed dial (rotate to one of the following settings to use in manual):
'M' = Full Power
'M Half' = Half Power
'M Quarter' = Quarter Power
Changing mode on the LM to flash mode and setting shutter speed to 1/500 test fire flash and take reading from subject. Adjust until desired meter reading is available based on ratio you desire for your fill: Ratios equate to:
1:1 = 0 F Stop
2:1 = 1 F Stop
3:1 = 1.5 F Stop
4:1 = 2 F Stops
The power of the flash dictates the brightness rendered on the model
The shutter speed dictates the brightness of the background
The aperture dictates the overall brightness of the image
I have Ian's negatives and I'll scan and e-mail those to him as well as blog a few here when I have scanned them.
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